Object-centered vs Ego-centered reference frames
In Post #1 I mentioned that the Ambient Visual system uses the "Ego Center", a hypothetical point that most visual scientist think is located between the eyes and somewhat behind them, as the reference point from which objects distance and directions are determined. In other words, the Ambient Visual System uses a polar coordinate which is anchored on the observer's "body" not on a point on the surface of the "retina".
Depth in this mode of vision is mainly perceived using parallax: Binocular parallax gives very accurate depth information within the Peripersonal space which is the immediate space around our bodies, typically within reach, where we actively interact with objects and the environment. Motion parallax produced by head and body movement together with the height of our eyes above ground give accurate distance information within our Extrapersonal action space (upto about 30m).
In contrast, the Focal Visual System has a reference frame which is centered on the fovea region of the retina. Therefore, when looking directly at an object, it can "lock onto the object" and see features of the object in relation to each other and in relation to its surrounding neighborhood (without registering the relation between the observed object(s) and the Ego). This object-centered reference frame allows the Focal Visual system to be able to "see" and interpret visual information about relative position of objects independent of one's own position in space.
Linear perspective seems to be a key factor in creating an impression of "depth" in this mode of vision.
In normal visual experience, these two modes of vision are so seamlessly integrated that we barely notice the distinction. But in some unusual situations, such as looking at pictures or paintings and also when looking through binoculars, these two visual mechanisms become dissociated. This dissociation allows as to see and enjoy paintings
even when we are not positioned at the correct center of perspective of the image.
When looking at a painting, the Ambient Visual System, does not recognize the illusion of depth created by perspective and "sees" a flat 2D patch of colors located at a short distance in front of the Ego center. Only our Focal Vision can read and understand the language of linear perspective in paintings, photographs and images we see through our binoculars
Andrea Mantegna (1431-1506), The Martyrdom of Saint Christopher
