It seems, wider the Field Of View the better.
One really can take advantage of very wide FOV?
or, in other words
One must go for the widest FOV available?
I agree with Mike. It depends of the object of observation. I use my old Swift Audubon 8.5x44 model 804 with it's huge 144 m at 1000 m for different objects (flocks of birds) then let's say my Leica UV 10x25 (searching for paths when hiking). In general: i can concentrate better with binoculars with a smaller FOV, too much information can distract sometimes and the Swift with 144 m at 1000 m makes me dizzy sometimes because of it's extremely wide FOV. Just my opinion of course.I like both for different uses and the different viewing experience. A wider FOV enables me to better spot and track birds and provides more context and depth to the image especially with 6/7x formats. On the other hand a 10x with a smaller FOV but top image quality to the edge allows a very enjoyable focus on the bird in isolation.
It just goes to show that super WA binoculars are personal preference because I have tried a lot of the vintage WA with 10 and 11 degree FOV's and I immediately didn't care for them. The FOV reminded me of an IMAX wide screen where every time you changed the position of the binoculars you have to move your eyes around to "take in" the full FOV, whereas, with an 8 degree binocular you can examine the FOV immediately and move on to the next FOV. I can see no advantage with them, especially since they seem to carry downsides that come with the huge FOV like soft edges, small sweet spots and a lot of field curvature that limit the usefulness of the super WA anyway, The older porro's that I have tried seemed to be lacking in contrast and brightness also compared to the newer binoculars because of the advances in coatings.I love my vintage 8x30 models with 10° or 7x35 with 11°. Even though they might not be quite as wide as stated but they are still wider than most binos offered today including the Kowa 6.5x32. So I'm firmly in the "the wider the better" camp.
I also never have issues with glare with those vintage porros.
But Dennis, back in the day when Swarovski introduced the EL equipped with field flatteners you used to say how much you enjoyed letting your eyes roam from one edge of the field of view to the other edge because the sharp edges were so terrific. Have your eyes got tired since then?It just goes to show that super WA binoculars are personal preference because I have tried a lot of the vintage WA with 10 and 11 degree FOV's and I immediately didn't care for them. The FOV reminded me of an IMAX wide screen where every time you changed the position of the binoculars you have to move your eyes around to "take in" the full FOV, whereas, with an 8 degree binocular you can examine the FOV immediately and move on to the next FOV. I can see no advantage with them, especially since they seem to carry downsides that come with the huge FOV like soft edges, small sweet spots and a lot of field curvature that limit the usefulness of the super WA anyway, The older porro's that I have tried seemed to be lacking in contrast and brightness also compared to the newer binoculars because of the advances in coatings.
The EL's didn't have the huge FOV's of the latest NL and SF's and were more manageable. The Swarovski EL SV 8x32 had an 8 degree FOV and I think that is the sweet spot for FOV. I don't mind sharp edges or a flat field on an 8 degree FOV, but I think the manufacturers have gone too far with the 9 degree NL and SF's and as a result glare problems are cropping up. The more complex WA eyepieces are also making the binoculars heavier.But Dennis, back in the day when Swarovski introduced the EL equipped with field flatteners you used to say how much you enjoyed letting your eyes roam from one edge of the field of view to the other edge because the sharp edges were so terrific. Have your eyes got tired since then?
Lee
The sweet spot grows with the FoV and my eyes are pretty good at adjusting. Also, the low magnification models like the 7x35s have such a good DoF that the usable sweet spot is still super large. The better vintage models are bright enough for my taste and often have better contrast precisely because they are not quite as bright while the view through some of the modern binos looks almost "washed out" because they are too bright on a sunny day. At least those are my impressions. Some people however say that increasing or decreasing brightness throughout the whole image will not change contrast at all.downsides that come with the huge FOV like soft edges, small sweet spots and a lot of field curvature that limit the usefulness of the super WA anyway, The older porro's that I have tried seemed to be lacking in contrast and brightness also compared to the newer binoculars because of the advances in coatings.
Exactly the same with me. I do appreciate the E2's wide field of view when used for viewing landscapes on hikes or for scanning purposes as pointed out by Lee in post #5. But quite generally, I actually prefer smaller fields of view as long as they have a wide sweetspot. To me, a limited FOV is part of the charm of looking through a binocular. In terms of FOV, my current favourite is the Ultravid 8x32 at a modest 135/1000 (61.6° AFOV). It feels very natural and 'cosy' if a word like that is applicable. Very large (A)FOVs also make objects seem smaller. To my eyes, a bird seems larger viewed through the Ultravid 7x42 than through the 8x Nikon E2. If I used binoculars for astronomy or static observation, I might like a wider FOV, probably also with greater edge to edge sharpness. For my purposes I certainly do not need more than the E2's 70°. So, this is about where it ends for me.... in many wide field binoculars I simply can't seem to enjoy the full FOV, and I don't see the field stop clearly (I don't use glasses and have a pretty good vision, but it seems my facial features don't allow m to enjoy extra wide field binoculars). So I don't chase the FOV. I welcome it, but it has a limited importance in my overall preference for a certain device...
That's interesting. I noticed that. But I think that's due to the position of the sun. If the sun is on my right, the colour temperature is much colder in the right barrel and, thus, the colours appear much more blue. The left barrel then shows much richer reds.But another thing I noticed today -- my eyes are so vastly different in color perception between left and right
I don't think it is the size of the FOV that makes objects smaller. A roof prism like your UVHD 7x42 will make objects seem larger than a porro prism like the E2. There is some technical reason for it if you search for it. There has been threads on the topic.Exactly the same with me. I do appreciate the E2's wide field of view when used for viewing landscapes on hikes or for scanning purposes as pointed out by Lee in post #5. But quite generally, I actually prefer smaller fields of view as long as they have a wide sweetspot. To me, a limited FOV is part of the charm of looking through a binocular. In terms of FOV, my current favourite is the Ultravid 8x32 at a modest 135/1000 (61.6° AFOV). It feels very natural and 'cosy' if a word like that is applicable. Very large (A)FOVs also make objects seem smaller. To my eyes, a bird seems larger viewed through the Ultravid 7x42 than through the 8x Nikon E2. If I used binoculars for astronomy or static observation, I might like a wider FOV, probably also with greater edge to edge sharpness. For my purposes I certainly do not need more than the E2's 70°. So, this is about where it ends for me.
Nice collection! It is fun acquiring all those binoculars and trying them, isn't it? How is the Luna 8x30?The sweet spot grows with the FoV and my eyes are pretty good at adjusting. Also, the low magnification models like the 7x35s have such a good DoF that the usable sweet spot is still super large. The better vintage models are bright enough for my taste and often have better contrast precisely because they are not quite as bright while the view through some of the modern binos looks almost "washed out" because they are too bright on a sunny day. At least those are my impressions. Some people however say that increasing or decreasing brightness throughout the whole image will not change contrast at all.
I also don't quite understand how it can be distraction when the field is too large and not "being able to take it all in". I mean, isn't that just how our eyes work with no bino attached? A super huge FoV but in order to see something clearly it needs to be in the center. I like that effect of "being in the scenery" that I only get with wide angle binos.
Field curvature doesn't bother me. And the flat field binos I have are rather narrow -- all around 60-65 AFoV. In comparison I'd say the sweet spot is larger on a wide angle 10° 8x30 compared to a flat field 7.5° 8x32.
The only thing that can be slightly irritating is the extreme pincushion distortion of the vintage models which was just the "flavour of the day" but has nothing to do with field curvature.
I received a new wide angle vintage model today, the Tasco #116 and did a lot of comparing. My "Adler" wide angle 7x35 is slightly better in construction and brightness but the humble Tasco just works perfectly for me. No black-outs, no glare, sharp, reasonably bright. And it's not even among the best vintage 7x35 models. But I really like it so far.
I am certain that there'd be one among my collection that you'd also like. There are differences.
But another thing I noticed today -- my eyes are so vastly different in color perception between left and right -- it's almost as if looking through a bino with vintage coatings with my right eye and one with modern coatings with the left eye. That's how different my eyes are. I guess any "alpha" would be wasted on me. Here's a part of my vintage wide angle collection.
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It makes a substantial difference.@jafritten
Indeed that probably amplifies the issue. I need to check this out again tomorrow.