henry link said:
The paragraph above from Jay's post suggests to me that evaluating the visual performance of an 85mm telescope at 60X by using digiscoping may not be possible due to the limitations of the camera lens and sensor.
Visually, telescopes can and should realistically be expected to deliver a diffraction limited image. Atmospheric interference at 250ft is usually not much of a problem visually where I live. If it is, I wait until the conditions improve before trying to test optics. Of course, slow shutter speed is irrelavent using a scope visually. On a good day, you should be able to see an almost, but not quite, tack sharp image through the eyepiece of a diffraction limited 85mm telescope at 60X.
That "almost but not quite" corresponds to the Rayleigh numbers. At around 6000mm equivalent, the scope can almost, but not quite provide as much detail as the camera CCD can resolve. But remember that Rayleigh is base on the ability to distinguish two closely spaced stars. These are very high contrast objects. Rayleigh is just above the level where the MTF is barely distinguishable. At that level of detail, the contrast should be suffering.
I did an informal experiment some time ago because someone had asked the question about why it was that the scope's visual image was "always" sharper than the digiscoped image.
The following is a slightly edited copy of my "report" as posted to the Digiscoping Birds Yahoo Group.
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Roy Halpin raised this question a month or so ago. The question was,
"why is it that we look through a scope and see wonderful detail, but
when we digiscope the image we get a lower level of detail?" Most of
us seem to agree that this seems to be the case, but I was wondering
if it really is the case or if we just aren't being careful
observers. While (unsuccessfully) waiting for a Bald Eagle or two to
land in a tree that I'm pretty sure they like, I happened on my opportunity.
Across the river (on the Bald Eagle's side) there was a Forest Service
sign identifying that side as a "sensitive area" and forbidding entry
during the current season. This turned out to be a pretty good subject
for a test.
The sign was about 50 meters away. I looked at it with my Rubinar and
homebrew eyepiece (about 25x) and noticed that there was an emblem of
some kind in the lower right. I couldn't quite make out what it said
on the bottom side but it seemed like it was almost legible. I was
pretty sure it said "Department of Something-or-Other". I was
guessing it was "Department of the Interior", but I couldn't be sure.
It was a bit hard to read because the scope image was upside down and
backwards. And at 25x in broad daylight, the Rubinar's central
obstruction introduces some slight variations in the image that can be
a bit distracting. An eyecup on the eyepiece might have helped by
providing shade and perhaps allowing my eye's iris to dilate open
wider thus minimizing the distraction from the obstruction shadow.
A shorter focal length (higher magnification) eypiece probably would have helped also, but I didn't have one available.
I had the Swarovski ATS80HD with me as well, so I mounted it using the
20-60x eyepiece and took a look. I couldn't make out the bottom text
at 20X or 25X. But at 30X I could finally read it for sure. It said
"Department of Agriculture". It was more clearly legible at 40x and
60x, but it wasn't exactly crystal clear. I could see atmospheric
disturbances as I viewed the sign.
So now I had a situation where I had a pretty objective piece of
evidence about the level of detail I was able to see with my eye
looking through the scope. So now the question was whether that level
of detail would be visible when I digiscoped the sign.
This is a full frame resized image of the sign that gives an idea of
the setting.
http://www.jayandwanda.com/digiscope/digi_v_eye/6578_Rub25x_21.4_resize.jpg
The Swarovski and 20-60X scope clearly gave me the best visual image.
The image was stable (except for the atmospheric disturbances). And the image had very good contrast and was color neutral. The Rubinar
always has a yellow cast (which I correct for when digiscoping by setting the white balance preset) and as mentioned before, the central obstruction can create little distortions in the image at low to medium powers that you have to kind of look around. The Rubinar can also be a pain to focus precisely while the Swarovski was smooth and easy. I get excellent digiscoping results from the Rubinar, but for visual observation, the Swarovski is the slam-dunk winner.
And true to form, the Rubinar turned in the overall sharpest image of
the emblem at the lower powers. I can't say for sure if this was the
luck of the drawwith the atmospherice disturbances or not. But I did take many different shots using the same settings for both scopes. Most of
the shots looked similar. But the best of the Rubinar were the best of
all images taken.
Which gets me back to the main point. I was able to take shots
through the Rubinar where the text was clearly legible even though I
was unable (barely) to read the text when viewing through the Rubinar.
Hmmmm - digiscoping seems to be beating the eyeball? BTW, this "best"
shot was taken with the camera aperture stopped down to f7.6. This is
something I have been experimenting with and I believe it can give a
slight edge in sharpness at times. Its subtle, but it really seems to
be a factor at times and this gives further support.
Here is a full resolution crop of that shot showing the emblem. There
was no tweaking done to the shot.
http://www.jayandwanda.com/digiscope/digi_v_eye/6578_Rub25x_21.4_crop.jpg
But as a counterpoint, here is an otherwise identical shot except that the camera was set to f4.8.
http://www.jayandwanda.com/digiscope/digi_v_eye/6568_Rub25x_21.4_crop.jpg
You can see that the f/4.8 image is not as sharp.
Now here is a shot with the same scope but with the camera zoom at
14.9mm F 7.6 providing less overall magnification. With less
magnification, the text isn't really legible. Though you might guess
at what it says.
http://www.jayandwanda.com/digiscope/digi_v_eye/6574_Rub25x_14.9_f7.6crop.jpg
The same shot but at f3.8 is ever so slightly less sharp.
http://www.jayandwanda.com/digiscope/digi_v_eye/6572_Rub25x_14.9_f3.8crop.jpg
This is a shot with the Swarovski ATS80HD at 30x on the zoom and
21.4mm F7.6 on the camera. With the extra magnification, the text is
pretty legible.
http://www.jayandwanda.com/digiscope/digi_v_eye/6589_Swa_30xZ_21.4_f7.6.jpg
This shot is with the Swarovski ATS80HD at 20x on the zoom and 21.4mm
F7.6 on the camera. The text becomes barely legible at these
settings. Its in the area of guessing based on previous knowledge here.
http://www.jayandwanda.com/digiscope/digi_v_eye/6594_Swa_20xZ_21.4_f7.6.jpg
And finally, here is an image with the Swaro at 60x and 21.4mm F4.8 on
the camera. BTW, its worth noting that once you get past 30x on the
Swaro and a camera zoom of 21.4, the effective f-number for the
combination is 8 or more. At 60X, it is f16. So stopping the lens
down should have no effect.
http://www.jayandwanda.com/digiscope/digi_v_eye/6594_Swa_60xZ_21.4_f4.8.jpg
OK. So this tells us that a digiscoping combination can resolve about the
same level of detail that our eyes can through the scope. It is
necessary to have the right amount of total magnification via the
camera zoom though. This is what was needed in so that the Rubinar's
image could be legible through the camera but not visually. The
camera lens provided that extra bit of magnification needed to make
the detail resolvable. But why then do almost all of us think that
digiscoped images aren't as sharp? Well - probably because they aren't.
Perceived sharpness isn't only about resolution. It is also about
image contrast. What our digiscoped images lack is high contrast in
these areas of high detail and in areas of less detail. So our images
don't "pop" like the image we see in the scope. The whole process of
going through the camera lens and having the image recorded, interpretated and interpolated by the camera CCD and electronics hurts contrast. In
fact, no camera can capture the brightness range that our eyes can and no camera has a processor as complex as our brain helping to interpret the data.
But it seems that the digiscoping combination - while able to preserve
resolution to a large extent - suffers in the contrast of its images.
What we are seeing is that the resolution performance at
50%MTF isn't very good. This is why we sharpen images. Sharpening
won't put detail in the image that wasn't there. But it can improve
image contrast and the resolution point at which we get a 50% MTF.
(Go to
www.normankoren.com if you wan't to learn more about MTF and
image sharpness). This is why "sharpened" images pop more even though
they don't resolve any more detail. Sharpenng compensates for a lack of
contrast between resolved details in the image.
This is the "best" image after some fairly heavy sharpening. Probably
more than what you'd want to do with a bird image for the web, but a
level that makes the text appear much more legible and probably about
right for printing. This image is also more like the the view through
the scope than the unsharpened images.
http://www.jayandwanda.com/digiscope/digi_v_eye/6578_Rub25x_21.4_crop_sharp.jpg
This excercise also demonstrates two other things. That stopping down
the camera lens at relatively low scope magnification may be worth
trying and that image sharpness while digiscoping is rather fragile. Very small variables can have significant impact.
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I would add to that summary that part of the perceived sharpness versus digiscoped sharpness may have something to do with the overall magnification and the manner in which we view it. Once we take our digital image, we tend to zoom in on the details on the computer screen. My compter screen never looks as sharp as reality. It doesn't have the dynamic range. The particular detail we are examining may also subtend a much larger angle of our view than when we look through the scope. In other words, we are magnifying the image even larger than when looking through the scope. If we print the image, we definitely reduce the dynamic range as compared to what our eye can see. That is why artful manipulation of contrast and brightness is necessary in order to make truly fine print images. So the recorded image, by its very nature, can't really compete with the live view. The extra softness that high powered digiscoping adds just makes the problem even worse. If we want "sharp" images, we need to digiscope so that we have something close to 50%MTF response at the sensor's limit of resolution. That equates to using about half of the scope's visually usable magnification.
Furthermore, the eye sees differently than a camera. It doesn't take snapshots. The brain receives a stream of imagery and integrates it rapidly. It is a very active system. I wonder if in some ways it is like the astronomer's practice of stacking images. Random errors such as from atmospheric disturbances can, to some extent be averaged out by our brains.